In this atmospheric scene Boudin has used a subdued palette of grey and muted tones of blue to evoke the mood of a cloudy day. He has also included hints of red to contrast with the blue to highlight the figures in the composition. This painting illustrates the development towards Impressionism that occurred in France during the late 19th Century. The brushstrokes are rapid and loose, a necessity when trying to capture a scene as it happens en plein air (open air). This technique helps to evoke an impression of a quiet, sombre day.
Eugéne-Louis Boudin worked alongside Jean Baptist Corot (1796-1875) and Jean-François Millet (1814-1875) to develop the technique of painting in the open air, for which the impressionists were to become so famous. In 1858 Boudin introduced Monet to landscape painting and he can also be credited with introducing him to the technique of leaving the studio and painting en plein air.
» Have a go at painting en plein air - Boudin once said that 'Three brush strokes from nature are worth more than two days' studio work at the easel'. Have a go - is it easier to paint in the open air? Do you get better results?
» Painting the Light - The Impressionists,
and indeed Boudin, chose to paint what they could see, rather than what
they thought they could see. They were really keen to capture the effect
light had on the landscape. Do you think Boudin has done a good job
in 'The Ferry at Deauville'? Take a look at the other paintings by Boudin
on The Bowes Museum website or some at Impressionist paintings. Can you work out the techniques used to depict the light you
get at different times of day and under different weather conditions?
» Complementary Colours - In 'The Ferry at
Deauville' Boudin uses red to add contrasting detail to the predominantly
grey-blue scene. The Impressionists developed the idea of using contrasting
colours to great effect. The complementary colours are made by mixing
combinations of two of the three primary colours red, blue and yellow.
There are three complementary colours - can you make them? When you
have mixed two primary colours together the colour you achieve complements
the one remaining primary colour. To help you remember the complementary
colours, have a go at painting your own colour wheel.
» Painting the Weather - Landscape painters
use a variety of techniques to capture a sense of the weather. Boudin
pays particular attention to the use of colour and texture. Have a go
at painting the same scene several times, each time using different
techniques to achieve the appearance of different weather conditions.

Eugéne-Louis Boudin (1824 - 1898)
The Ferry at Deauville, c.1868
Material: Oil on linen-faced composition board
Dimensions: 47 cm x 30.5 cm
Place made: France
Accession No: B.M.697
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